Solo Mio transcends romantic comedy tropes through the quality of the performances and by its sharply written script, which features more than one twist.
David Pitts loves the historic Christian liturgy, particularly as it has been received by the Episcopal Church. This love of corporate worship shines brightly on every page of his book.
Russell Levenson Jr.’s approach in writing, and his interview style, enables readers to not only see these successful people as fellow pilgrims, but also as brothers and sisters in Christ.
Michael Pasquarello wisely follows the life events of Bonhoeffer’s pastoral ministry in conjunction with the ways in which his theology of preaching evolved over time.
Some of the Words Are Theirs stands out as a literary and spiritual meditation on the life of preaching. It delivers both hard-won insight and pastoral encouragement.
For Sarah C. Jobe, this is the central claim of Christian salvation: there is no Godforsaken place and no Godforsaken person. She calls this work “practical soteriology.”
The call to martyrdom is a call to witness, and these essays underscore the understanding that martyrs bear witness in their contexts and circumstances.
John Milton led a pursuit to “strike through the mask” and harpoon the truth, even if it entailed sinking a ship—or, in his case, the beheading of a king.
Wake Up Dead Man’s off-putting mockery of Christian images and sacraments is partly redeemed by Josh O’Connor's depiction of priestly faith and charity.
Presenting more than 40 rare objects from the Church of the Holy Sepulcher (known as the “Latin Treasure”), this exhibition adds another shimmering jewel to the Frick Collection’s crown.
